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Artists Xin Liu and Eunjo Lee have created two artworks using Google AI tools during an online residency with LAS Art Foundation and Google Arts & Culture Lab. Their projects draw on artificial life, Buddhist philosophy, language and psychology; details about public access and further programming were not provided in the announcement.
Xin Liu and Eunjo Lee have created two artworks exploring philosophy, science and artificial intelligence through an online artist residency run by LAS Art Foundation in collaboration with Google Arts & Culture Lab. The projects, titled nom nom and In Your Eyes, Before My Own, use Google AI tools to examine ideas including collective intelligence, living systems and relationships between digital and physical existence.
Liu’s nom nom takes inspiration from artificial-life research and emergent computation. The Google announcement describes its underlying approach as drawing on Neural Cellular Automata, models in which many small units interact, form patterns and change in response to their surroundings. Liu also drew on research by Google researchers Blaise Agüera y Arcas and Alexander Mordvintsev. The project frames intelligence not as one central mind but as activity distributed across interacting parts.
Lee’s In Your Eyes, Before My Own combines hand-drawn imagery, 3D elements, movement and language. According to Google, Lee used Nano Banana and Veo to turn sketches into 3D assets, added motion-captured choreography to characters and placed Korean Hangul phonetics across an environment shaped by its geometry. The work connects these techniques with ancient philosophy, linguistics and modern psychology.
The residency focused on digital world-building and simulations of living systems. Google says Liu and Lee were selected for their technical skill and artistic imagination. The announcement presents the works as artistic explorations informed by AI research and tools; it does not report a scientific evaluation of the projects or claim that they establish new results in AI.
Art as a Lens on AI Systems
The projects offer audiences a way to encounter ideas about AI and living systems through visual forms, movement and interactive or audiovisual presentation, rather than through technical descriptions alone. Liu’s work takes the behavior of many small units as a prompt for thinking about how organized patterns can emerge. Lee’s approach puts AI tools alongside cultural and philosophical concepts, treating the technology as material for artistic interpretation.
The pairing also shows how a technology company’s research tools can be used in a cultural commission. That does not make the artworks scientific demonstrations, and the announcement provides no independent assessment of how accurately they represent the research behind them. Their significance, as described by the organizers, is primarily in the questions and interpretations they bring to AI, consciousness and human experience.
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Inside the Online Residency
The LAS Art Foundation residency was organized in collaboration with Google Arts & Culture Lab. Google describes it as an online program supporting artists who explore digital worlds and the simulation of living systems. The September 29 announcement introduces the two commissioned works and outlines the processes behind them, but does not provide a detailed schedule for the residency or say when the artists began their work.
The tools and references differ between the projects. Liu’s account centers on artificial life and emergent computation, including Neural Cellular Automata. Lee describes a process she calls “techno-alchemy,” joining contemporary image-generation and video tools with Korean phonetics, choreography and Buddhist ideas. The projects therefore approach AI through separate methods rather than presenting one shared artistic position.
“I want to explore an image of intelligence distributed across millions of tiny neural networks that react only to their surroundings — not as a singular mind above the world, but as a living ecology of fragments.”
— Xin Liu, artist
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Access and Project Details
The announcement does not specify where or when the works can be viewed, whether they will be presented in a physical exhibition, or whether online versions are available. It also gives no information about the residency’s length, the artists’ selection process beyond a general description, or any future commissions. The exact degree of audience interaction in either artwork is not detailed.
Google’s account describes the artists’ methods and concepts but does not include independent technical or critical assessments. It is therefore unclear how the works translate the cited research into their finished forms, or how viewers will experience those ideas beyond the descriptions supplied by the artists and organizer.
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Further Presentation Details Awaited
Google’s September 29 announcement introduces the artworks and identifies their commissions, but does not name a future exhibition date, venue or release schedule. Readers seeking to see the projects will need to look for additional information from LAS Art Foundation or Google Arts & Culture. The announcement offers no confirmed next milestone for the residency or the artists’ work.
motion capture devices for animation
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Key Questions
What are the two artworks?
Xin Liu’s nom nom explores distributed intelligence and artificial-life concepts. Eunjo Lee’s In Your Eyes, Before My Own combines AI-generated 3D assets, choreography, Korean Hangul phonetics and philosophical ideas.
Who organized the residency?
The online artist residency was organized by LAS Art Foundation in collaboration with Google Arts & Culture Lab.
Which AI tools did the artists use?
Google says Lee used Nano Banana and Veo to convert drawings into 3D assets. The announcement says both artists used Google AI tools, but does not list every tool or describe the full technical process for Liu’s work.
Can the public view the artworks now?
The announcement does not specify public access, exhibition dates or viewing locations. Further details have not been provided in the source material.
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